A patch built from Init in Ableton Live, frozen on the beat and dragged out as loops onto Live’s clip slots. No talking, just the sound.
Grains keeps the last ten and a half seconds of what you play and plays back tiny slices of it, dozens at a time, each at its own pitch, direction and place between the speakers. This section decides what those slices are like.
Choose how often a grain plays an octave down, at pitch or higher up. Turn up two at once and you get chords rather than a plain transposition. Switch Scale on and the grains at pitch and above land on notes that fit your key.
With these at rest, every grain plays, each one the same and evenly spaced. Turn them up and no two grains match.
One fader for your dry sound and one for the grains. Drive, Bit and the filter only touch the grains, so what you play stays clean underneath.
A delay and a reverb, each with its own switch. Out of the box they only touch the grains and leave your dry sound clean; a menu on each lets them take your dry sound instead, or both. The reverb takes the grains directly rather than the echoes, so the two can be set apart.
Draw a shape, then drag the LFO onto almost any knob, or the Dry and Grains faders, and it follows the shape. An orange dot shows which controls are moving.

Freeze catches the grains in a length you pick, from a sixteenth up to 1 bar or 2 bars, on your DAW’s bar lines. The loop keeps playing while you turn the knobs, so you can reshape it as it goes round.
Once you are happy, drag it from the Looper onto an audio track in your DAW and it lands there as a WAV. The export is the loop as you hear it, with the EQ, the Mixer and the delay and reverb on it; your dry sound is left out.

Simple, three knobs for quick tone shaping, or Advanced, eight bands of cuts, shelves, bells and a notch.
Pre or Post: before the grains it shapes what they are made from, after them it shapes the cloud and its effects, with your dry sound left as it is. The EQ is saved with each preset, Pre or Post included.

Shows the note and cents, at A4 = 440 Hz. Mute the output while you tune between takes.
One granular engine with drive, a filter, a delay and a reverb after it, and a breakpoint LFO. EQ and tuner included. Free updates.